Quotes

It's not a sense of justice. Figuring out difficult cases is my hobby. If you measured good and evil deeds by current laws, I would be responsible for many crimes. The same way you all like to solve mysteries and riddles, or clear video games more quickly. For me too, it's simply prolonging something I enjoy doing. That's why I only take on cases that pique my interest. It's not justice at all. And if it means being able to clear a case, I don't play fair, I'm a dishonest, cheating human being who hates losing.

Speaking of the effects of technology on individuals and society as a whole, Marshall McLuhan wrote that every augmentation is also an amputation. [...] Today, quite suddenly, billions of people have access to AI systems that provide augmentations, and inflict amputations, far more substantial than anything McLuhan could have imagined. This is the main thing I worry about currently as far as AI is concerned. I follow conversations among professional educators who all report the same phenomenon, which is that their students use ChatGPT for everything, and in consequence learn nothing. We may end up with at least one generation of people who are like the Eloi in H.G. Wells’s The Time Machine, in that they are mental weaklings utterly dependent on technologies that they don’t understand and that they could never rebuild from scratch were they to break down.

(the richer tourists at Disney World wear t-shirts printed with the names of famous designers, because designs themselves can be bootlegged easily and with impunity. The only way to make clothing that cannot be legally bootlegged is to print copyrighted and trademarked words on it; once you have taken that step, the clothing itself doesn’t really matter, and so a t-shirt is as good as anything else. T-shirts with expensive words on them are now the insignia of the upper class. T-shirts with cheap words, or no words at all, are for the commoners).

The possibilities of the art of combination are not infinite, but they tend to be frightful. The Greeks engendered the chimera, a monster with heads of the lion, the dragon and the goat; the theologians of the 2nd century, the Trinity, in which the Father, the Son and the Holy Ghost are inextricably tied; the Chinese zoologists, the ti-yiang, a vermilion supernatural bird, endowed with 6 feet and 4 wings, but without a face or eyes; the geometers of the nineteenth century, the hypercube, a figure with 4 dimensions, which encloses an infinite number of cubes and has as its faces 8 cubes and twenty-four squares. Hollywood has just enriched this vain museum of horrors: by means of an artistic malignity called dubbing, it proposes monsters that combine the illustrious features of Greta Garbo with the voice of Aldonza Lorenzo.