An Unpublished Drama

I.

ROME.—A Hall in a Palace. ALESSANDRA and CASTIGLIONE

Alessandra.     Thou art sad, Castiglione.

Castiglione.    Sad!—not I.
                  Oh, I'm the happiest, happiest man in Rome!
                  A few days more, thou knowest, my Alessandra,
                  Will make thee mine. Oh, I am very happy!

Aless.          Methinks thou hast a singular way of showing
                  Thy happiness—what ails thee, cousin of mine?
                  Why didst thou sigh so deeply?

Cas.            Did I sigh?
                  I was not conscious of it. It is a fashion,
                  A silly—a most silly fashion I have
                  When I am very happy. Did I sigh? (sighing.)

Aless.          Thou didst. Thou art not well. Thou hast indulged
                  Too much of late, and I am vexed to see it.
                  Late hours and wine, Castiglione,—these
                  Will ruin thee! thou art already altered—
                  Thy looks are haggard—nothing so wears away
                  The constitution as late hours and wine.

Cas. (musing ). Nothing, fair cousin, nothing—
                  Not even deep sorrow—
                  Wears it away like evil hours and wine.
                  I will amend.

Aless.          Do it! I would have thee drop
                  Thy riotous company, too—fellows low born
                  Ill suit the like of old Di Broglio's heir
                  And Alessandra's husband.

Cas.            I will drop them.

Aless.          Thou wilt—thou must. Attend thou also more
                  To thy dress and equipage—they are over plain
                  For thy lofty rank and fashion—much depends
                  Upon appearances.

Cas.            I'll see to it.

Aless.          Then see to it!—pay more attention, sir,
                  To a becoming carriage—much thou wantest
                  In dignity.

Cas.            Much, much, oh, much I want
                  In proper dignity.

_Aless.
(haughtily_).     Thou mockest me, sir!

_Cos.
(abstractedly_).  Sweet, gentle Lalage!

Aless.          Heard I aright?
                  I speak to him—he speaks of Lalage?
                  Sir Count!
         (places her hand on his shoulder)
                             what art thou dreaming?
                  He's not well!
                  What ails thee, sir?

Cas.(starting). Cousin! fair cousin!—madam!
                  I crave thy pardon—indeed I am not well—
                  Your hand from off my shoulder, if you please.
                  This air is most oppressive!—Madam—the Duke!

Enter Di Broglio.

Di Broglio.     My son, I've news for thee!—hey!
                 —what's the matter?
          (observing Alessandra).
                  I' the pouts? Kiss her, Castiglione! kiss her,
                  You dog! and make it up, I say, this minute!
                  I've news for you both. Politian is expected
                  Hourly in Rome—Politian, Earl of Leicester!
                  We'll have him at the wedding. 'Tis his first visit
                  To the imperial city.

Aless.          What! Politian
                  Of Britain, Earl of Leicester?

Di Brog.        The same, my love.
                  We'll have him at the wedding. A man quite young
                  In years, but gray in fame. I have not seen him,
                  But Rumor speaks of him as of a prodigy
                  Pre-eminent in arts, and arms, and wealth,
                  And high descent. We'll have him at the wedding.

Aless.          I have heard much of this Politian.
                  Gay, volatile and giddy—is he not,
                  And little given to thinking?

Di Brog.        Far from it, love.
                  No branch, they say, of all philosophy
                  So deep abstruse he has not mastered it.
                  Learned as few are learned.

Aless.          'Tis very strange!
                  I have known men have seen Politian
                  And sought his company. They speak of him
                  As of one who entered madly into life,
                  Drinking the cup of pleasure to the dregs.

Cas.            Ridiculous! Now I have seen Politian
                  And know him well—nor learned nor mirthful he.
                  He is a dreamer, and shut out
                  From common passions.

Di Brog.        Children, we disagree.
                  Let us go forth and taste the fragrant air
                  Of the garden. Did I dream, or did I hear
                  Politian was a melancholy man?

                  (Exeunt.)




II.

ROME.—A Lady's Apartment, with a window open and looking into a garden.
LALAGE, in deep mourning, reading at a table on which lie some books and
a hand-mirror. In the background JACINTA (a servant maid) leans
carelessly upon a chair.


Lalage.         Jacinta! is it thou?

_Jacinta
(pertly_).        Yes, ma'am, I'm here.

Lal.            I did not know, Jacinta, you were in waiting.
                  Sit down!—let not my presence trouble you—
                  Sit down!—for I am humble, most humble.

Jac. (aside).   'Tis time.

(_Jacinta seats herself in a side-long manner upon the chair, resting
her elbows upon the back, and regarding her mistress with a contemptuous
look. Lalage continues to read._)

Lal.            "It in another climate, so he said,
                  Bore a bright golden flower, but not i' this soil!"

           (pauses—turns over some leaves and resumes.)

                  "No lingering winters there, nor snow, nor shower—
                  But Ocean ever to refresh mankind
                  Breathes the shrill spirit of the western wind"
                  Oh, beautiful!—most beautiful!—how like
                  To what my fevered soul doth dream of Heaven!
                  O happy land! (pauses) She died!—the maiden died!
                  O still more happy maiden who couldst die!
                  Jacinta!

          (Jacinta returns no answer, and Lalage presently resumes.)

                  Again!—a similar tale
                  Told of a beauteous dame beyond the sea!
                  Thus speaketh one Ferdinand in the words of the play—
                  "She died full young"—one Bossola answers him—
                  "I think not so—her infelicity
                  Seemed to have years too many"—Ah, luckless lady!
                  Jacinta! (still no answer.)
                  Here's a far sterner story—
                  But like—oh, very like in its despair—
                  Of that Egyptian queen, winning so easily
                  A thousand hearts—losing at length her own.
                  She died. Thus endeth the history—and her maids
                  Lean over her and keep—two gentle maids
                  With gentle names—Eiros and Charmion!
                  Rainbow and Dove!—Jacinta!

Jac.
(pettishly).    Madam, what is it?

Lal.            Wilt thou, my good Jacinta, be so kind
                  As go down in the library and bring me
                  The Holy Evangelists?

Jac.            Pshaw!

                  (Exit)

Lal.            If there be balm
                  For the wounded spirit in Gilead, it is there!
                  Dew in the night time of my bitter trouble
                  Will there be found—"dew sweeter far than that
                  Which hangs like chains of pearl on Hermon hill."

(re-enter Jacinta, and throws a volume on the table.)

                  There, ma'am, 's the book.
   (aside.)     Indeed she is very troublesome.

Lal.
(astonished).   What didst thou say, Jacinta?
                  Have I done aught
                  To grieve thee or to vex thee?—I am sorry.
                  For thou hast served me long and ever been
                  Trustworthy and respectful.
              (resumes her reading.)

Jac. (aside.) I can't believe
                  She has any more jewels—no—no—she gave me all.

Lal.            What didst thou say, Jacinta? Now I bethink me
                  Thou hast not spoken lately of thy wedding.
                  How fares good Ugo?—and when is it to be?
                  Can I do aught?—is there no further aid
                  Thou needest, Jacinta?

Jac. (aside.) Is there no further aid!
                  That's meant for me.  I'm sure, madam, you need not
                  Be always throwing those jewels in my teeth.

Lal.            Jewels! Jacinta,—now indeed, Jacinta,
                  I thought not of the jewels.

Jac.            Oh, perhaps not!
                  But then I might have sworn it. After all,
                  There's Ugo says the ring is only paste,
                  For he's sure the Count Castiglione never
                  Would have given a real diamond to such as you;
                  And at the best I'm certain, madam, you cannot
                  Have use for jewels now. But I might have sworn it.

                  (Exit)

(_Lalage bursts into tears and leans her head upon the table—after a
short pause raises it_.)

Lal.            Poor Lalage!—and is it come to this?
                  Thy servant maid!—but courage!—'tis but a viper
                  Whom thou hast cherished to sting thee to the soul!
                  (taking up the mirror)
                  Ha! here at least's a friend—too much a friend
                  In earlier days—a friend will not deceive thee.
                  Fair mirror and true! now tell me (for thou canst)
                  A tale—a pretty tale—and heed thou not
                  Though it be rife with woe. It answers me.
                  It speaks of sunken eyes, and wasted cheeks,
                  And beauty long deceased—remembers me,
                  Of Joy departed—Hope, the Seraph Hope,
                  Inurned and entombed!—now, in a tone
                  Low, sad, and solemn, but most audible,
                  Whispers of early grave untimely yawning
                  For ruined maid. Fair mirror and true!—thou liest not!
                  Thou hast no end to gain—no heart to break—
                  Castiglione lied who said he loved——
                  Thou true—he false!—false!—false!

(_While she speaks, a monk enters her apartment and approaches
unobserved_)

Monk.           Refuge thou hast,
                  Sweet daughter! in Heaven. Think of eternal things!
                  Give up thy soul to penitence, and pray!

_Lal.
(arising hurriedly_). I cannot pray!—My soul is at war with God!
                  The frightful sounds of merriment below;
                  Disturb my senses—go! I cannot pray—
                  The sweet airs from the garden worry me!
                  Thy presence grieves me—go!—thy priestly raiment
                  Fills me with dread—thy ebony crucifix
                  With horror and awe!

Monk.           Think of thy precious soul!

Lal.            Think of my early days!—think of my father
                  And mother in Heaven! think of our quiet home,
                  And the rivulet that ran before the door!
                  Think of my little sisters!—think of them!
                  And think of me!—think of my trusting love
                  And confidence—his vows—my ruin—think—think
                  Of my unspeakable misery!——begone!
                  Yet stay! yet stay!—what was it thou saidst of prayer
                  And penitence? Didst thou not speak of faith
                  And vows before the throne?

Monk.           I did.

Lal.            'Tis well.
                  There is a vow 'twere fitting should be made—
                  A sacred vow, imperative and urgent,
                  A solemn vow!

Monk.           Daughter, this zeal is well!

Lal.            Father, this zeal is anything but well!
                  Hast thou a crucifix fit for this thing?
                  A crucifix whereon to register
                  This sacred vow? (he hands her his own.)
                  Not that—Oh! no!—no!—no (shuddering.)
                  Not that! Not that!—I tell thee, holy man,
                  Thy raiments and thy ebony cross affright me!
                  Stand back! I have a crucifix myself,—
                  I have a crucifix! Methinks 'twere fitting
                  The deed—the vow—the symbol of the deed—
                  And the deed's register should tally, father!
         (draws a cross-handled dagger and raises it on high.)
                  Behold the cross wherewith a vow like mine
                  Is written in heaven!

Monk.           Thy words are madness, daughter,
                  And speak a purpose unholy—thy lips are livid—
                  Thine eyes are wild—tempt not the wrath divine!
                  Pause ere too late!—oh, be not—be not rash!
                  Swear not the oath—oh, swear it not!

Lal.            'Tis sworn!